Shaldan Huuhnii Zurag

A 16th-century painting of Abtai Sain Khan and his queen in the zurag style
  1. Shaldan Huuhnii Zurag
  2. Mongol Shaldan Huuhnii Zurag

Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka. It is thus distinguished from both traditional Buddhist fine art and the socialist realism favoured during the Mongolian People's Republic.

Shaldan Huuhnii Zurag


Bairlalaa hed hed solih heregtei. Esvel otsoilgoj bgad. Zogsooj baigaad geh meteer. Bas dan am geltgui gar hyryygaa oroltsuulad. Bas gantshan erhten g bish, huzuu chih hoh huis gedes bogs hoshnogo guya hul ged l. Hichneen amaar saihan baisan. Ehnii bandi deer ochood shaldan huuhnii zurag uzuultel din don gejee. Tentsehgui daraagiin bandi tuund nogoo zuragaa uzuultel yasan ch ugui, tegeed shaldan huuhen avchirtal din don tentsehgui daraagiih ni nutsgen huuhhniig harsan ch nam jim. Sain baina tentslee ter bandiin erged ochood suu getel din don gej ee.

The style was pioneered in the aftermath of the 1921 Revolution by artists such as Balduugiin Sharav, whose One Day in Mongolia remains one of the most celebrated works of Mongolian art. Zurag paintings featuring scenes from everyday life, in both contemporary collective farm and traditional pastoral nomadic settings, became popular in the 1950s and 1960s in the wake of the success of Ürjingiin Yadamsüren's The Old Fiddler. Historical depictions of the 1921 Revolution as well as earlier national figures were also popular, but overtly religious themes were discouraged by the state. Since the establishment of democracy in 1992 there has been a resurgence of interest in the style. Recent zurag paintings have featured nationalistic scenes drawn from the Secret History of the Mongols and the life of Genghis Khan, as well overtly religious imagery inspired by pre-Buddhist shamanism. They have also become more symbolic and less strictly representational.

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  • ZURAG Berlin KAMA SUTRA in Miniature - ZURAG Berlin HUN - ZURAG Berlin MEMENTO MORI - ZURAG Berlin REGINEINBERLIN - ZURAG Berlin where i am.? - ZURAG Berlin FRAUEN mit SEEBLICK - ZURAG.

Throughout its history zurag has encompassed a diverse range of visual styles. Flat, brightly coloured shading in the Buddhist tradition is used alongside European-style realism and geometric perspective. Some zurag artists co-opted older Buddhist iconographic conventions for purely secular topics. Otgonbayar Ershuu is an important painter of our time, he was portrayed in the film 'ZURAG' by Tobias Wulff.[1]


  1. ^ZURAG – a movie about Otgonbayar Ershuu; Germany/Mongolia 2010; produced by Tobias Wulff (The movie was broadcast twice in the Mongolian State television in 2011)

Mongol Shaldan Huuhnii Zurag

  • Atwood, Christopher P. (2004). 'Mongol zurag'. Encyclopedia of Mongolia and the Mongolian empire. New York, NY: Facts On File. pp. 391–392. ISBN978-0-8160-4671-3.
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